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20 May 1979
Star Special broadcast on BBC Radio One featuring
Bowie playing a selection of his favourite records.
He managed to
squeeze in 27 songs, explaining his choice between tracks.
'Lovely, I remembered seeing him [Jim Morrison],
at the Roundhouse, one of their early shows there.'
'That brings back fond memories of the tour
playing piano with him.'
'Rivettingly depressing, lovely piano, I think
it's Billy Preston.'
'Growing up and being angry, that's what
this one is all about.'
'This is a punk thing that I was incredibly
impressed with when I first heard it. It's classical music
but it's very good.'
'I thought that this was an extraordinary thing
to use numbers as backing vocals.'
'Now a modern use of number - Phillip Glass
from an opera that he wrote which was about fifteen-and-a-half years
long, from the LP 'Einstein on the Beach' "
'The first single that I heard when I first
went to America, on the first day that I got there and in New York.
I was taken over to a writer's apartment somewhere, probably
on 8th Avenue, and he played me a new album that had just come out
and he was very excited about this track and so was I …
'From the sublime to the ridiculous, from a
compilation LP by Brian Eno of New York bands. The voice reminds
me of 'Min' from the Goon Show!
'This is quite absurd as well. I couldn't
believe this when I first heard it, how he changed his voice so
much I'll never know.'
'One from young Robert Fripp. If you sort of
fancy yourself as a schizophrenic, this becomes your theme song,
I used to love this.'
'Here's a band that I admire very much.
This song took me back to the old days of The Yardbirds, I don't
know why.'
'I think they must have done this in about four-and-a-half
minutes, it really sounds as if it's been thrown together but
like all classics, it still shoots out of the speakers.'
'Here's a song that made me fall in love
with the singer. Absolutely incredible. My heart went straight out
to her.'
'Here's a guy that probably did as much
for the early seventies sound in England as Spector did to the sound
in America. He single-handedly changed a lot, sound-wise, of what
was happening in England, it's my old buddy, Marc Bolan.'
'Here are some guys who are following, I suppose,
in some of the tradition laid down by Marc Bolan… '
'Here's a singer, well he's new to
me anyway, his name's Steve Forbert. I like it particularly
because one of my old band is on it, Dave Sanborn playing saxophone.'
'I'm running out of things to play you.
This is called 'We Love You', and I'm sure they mean
it!'
'This is a very deserving band. This song is
very good if you like Humphrey Bogart, it's called '2
HB', a very good pun.'
'Here's a great writer, I don't like
very much what he is doing now. After I heard this track, I never
rode the subway again.'
'Here's one that also scared me because
it was so incredibly adventurous when it was released.'
'Let's bring back the good weather again.
Let's leave it to Blondie…
'Now, I'm not sure about this one, I think
it's quite nice. I only played it because it's got the
word lodger in it and that's the name of my new album. Talking
about my new album, this is a track from it called Boys.'
'Now that song really does have a problem!'
'Here's a song that I started to write
in Berlin and ended up in New York. It's got a sort of Turkish
quality to it, it's one of my favourite tracks on the album.
"Yassassin" means "long life" in Turkish, I
didn't know that, I read it on a wall.'
'They're different from me, they actually
go and read books, they don't read walls… '
'I think the ta-ra at the end is a wonderful
gesture… I saw them in concert the other week in New York,
very good.
'This is um… this is a mess, not really!'
'Here are three girls that have a very musical
dad and one of the girls is very sexy and I keep playing her records
over and over again when I'm on my own.
I'm afraid I can't find any more
records to play. I brought three of my records along myself you
know, I knew they wouldn't have them here, it's not their
fault, the shops were closed.
I brought The Mekons, "Where Were You",
Phillip Glass, "Einstein on the Beach", that's mine
as well and the "No New York" album.
I'm going out to write my name on a wall
now… OK, ta-ra.'
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